Class, Gender, and the Contours of Nationalism in the Culture of Philippine Radical Theater

Bodden, Michael Henry (1996) Class, Gender, and the Contours of Nationalism in the Culture of Philippine Radical Theater. Frontiers: A Journal of Women's Studies, 16 (2-3). pp. 24-50. ISSN 01609009 (print); 15360334 (online)

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Abstract

Bodden examines the ways that three plays, Malou Jacob's "Juan Tamban" (1979), Nicanor Tiongson's "Pilipinas Circa 1907" (1982) and Lualhati Bautista's "Lorena" (1989) present a look at how Philippine radical nationalist writers attempt to represent, in their works, the problems of class and gender within Philippine society.

Item Type: Article
Uncontrolled Keywords: drama, drama criticism, Filipino drama, gender politics, Lualhati Bautista, Malou Jacob, Nick Tiongson, radical theatre, theatre
Depositing User: Repo Admin
Date Deposited: 22 Apr 2017 13:37
Last Modified: 13 Jun 2017 08:20
URI: http://philippineperformance-repository.upd.edu.ph/id/eprint/412

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