Bodden, Michael Henry (1996) Class, Gender, and the Contours of Nationalism in the Culture of Philippine Radical Theater. Frontiers: A Journal of Women's Studies, 16 (2-3). pp. 24-50. ISSN 01609009 (print); 15360334 (online)
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Official URL: http://www.jstor.org/stable/3346802
Abstract
Bodden examines the ways that three plays, Malou Jacob's "Juan Tamban" (1979), Nicanor Tiongson's "Pilipinas Circa 1907" (1982) and Lualhati Bautista's "Lorena" (1989) present a look at how Philippine radical nationalist writers attempt to represent, in their works, the problems of class and gender within Philippine society.
| Item Type: | Article |
|---|---|
| Uncontrolled Keywords: | drama, drama criticism, Filipino drama, gender politics, Lualhati Bautista, Malou Jacob, Nick Tiongson, radical theatre, theatre |
| Depositing User: | Repo Admin |
| Date Deposited: | 22 Apr 2017 13:37 |
| Last Modified: | 13 Jun 2017 08:20 |
| URI: | http://philippineperformance-repository.upd.edu.ph/id/eprint/412 |
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