Villaruz, Basilio Esteban S. (2015) Skirting the Center, Centering the Margins: Part Two – Bacolod. Runthru Magazine.
Full text not available from this repository.Abstract
Arriving from Koronadal, I was there in Bacolod for Dwight Rodrigazo’s First C-MAP (Composition and Movement Analysis Program) Choreographers Festival International, 14-15 August. From what I know this is the first of such kind in the whole of Philippines’ South. The C-MAP project is based in Dwight Rodrigazo’s Dance\_Pull Center for the Performing Arts in Bacolod, but it has also run one in Quezon City. The project attracts dancers and choreographers from Luzon, Visayas and Mindanao. From what I know now, this kind has not been done for a long time. The NCCA used to conduct a series of the like nationwide, but it has been abandoned. Consistently carried on through 35 years is the 2-semester dance improvisation and composition class in UP’s College of Music. CCP’s summer workshops used to have its equivalent in the ‘70s.
| Item Type: | Article |
|---|---|
| Uncontrolled Keywords: | Bacolod City, Basilio Esteban Villaruz, Choreographers Festival International, choreography, C-MAP, dance, feature article |
| Depositing User: | Machine Whisperer |
| Date Deposited: | 06 Jun 2017 05:41 |
| Last Modified: | 06 Jun 2017 05:41 |
| URI: | http://philippineperformance-repository.upd.edu.ph/id/eprint/1508 |
Actions (login required)
 |
View Item |